"Hastings from the Beach St Leonards Oct 21 1860"
St. Leonards beach, also known as Marina beach, runs westwards from the Hastings Pier. The beach is shingle and has large sandy areas as the tide goes out. The town of St. Leonards-on-Sea is often thought to be Hastings but although they are joined together, is a different town being full of Regency terraces and squares that back away from the seafront promenade.
St Leonards-on-Sea (commonly known as St Leonards) is a town and seaside resort in the Borough of Hastings in East Sussex, England. It has been part of the borough since the late 19th century and lies to the west of central Hastings. The original part of the settlement was laid out in the early 19th century as a new town: a place of elegant houses designed for the well-off; it also included a central public garden, a hotel, an archery, assembly rooms and a church. Today's St Leonards has extended well beyond that original design, although the original town still exists within it.
The land that is now St Leonards was once owned by the Levett family, an ancient Sussex gentry family of Norman origin who owned the adjacent manor of Hollington, and subsequently by their descendants, the Eversfields, who rose to prominence from their iron foundries and widespread property holdings during Tudor times. Eversfields served as sheriffs of Surrey and Sussex in the 16th and 17th centuries and were later baronets before the family became extinct.
James Burton, a successful London property developer who had developed large areas of Bloomsbury and the houses around Regent's Park, purchased land from the Eversfield estate to put into being his concept of a seaside resort. The land was part of Gensing Farm, and included a small wooded valley leading down to the sea. Work on the plan started in early 1826. It included a house for himself (West Villa: now 57 Marina); service areas were provided, such as shops and laundering (Mercatoria and Lavatoria), as well as public buildings for entertainment and the picturesque siting of villas amongst the wooded slopes and water of the central gardens, to be paid for by subscription.
In addition he persuaded the Turnpike Commissioners to have the road leading to St Leonards included in the scheme, and arranged for the road through Silverhill to be built so as to give access.[citation needed] Before he died in 1837 St Leonards (Royal Victoria) Hotel, the South Colonnade, an archway marking the town boundary with Hastings, and tall seafront houses (as far as 71 Marina) had also been completed. His grave is marked by a pyramid in the churchyard above St Leonard's Church. In 1850 his son Decimus (1800–1881) started the second phase of building, by acquiring more land and extending the development westward. He lived in the town for the remainder of his life.
Decimus Burton became a Commissioner of the new town in 1833. He leased a triangle of land bounded by Mercatoria, St John's Church, Maze Hill and Kenilworth Road. Here he built The Cottage (now St Leonards Lodge), Maze Hill House (demolished), The Mount (13 houses), The Uplands (6), The Lawn (10), and six semi-detached houses which later became a school (later part of the college but now[when?] closed for redevelopment). Later, in Upper Maze Hill he built Baston Lodge, Tower House and Clone House (now Healey House). He gave some land in Mercatoria for a National School, and completed his father's seafront terrace by building 72 to 82 Marina.[citation needed] Modern (2006) photographs give a flavour of this development.
St Leonards became a fashionable seaside destination. Princess Sophia of Gloucester stayed at Gloucester Lodge on Quarry Hill in 1831. The building was formerly named the Castellated Villa but changed to Gloucester Lodge in honour of her. Princess Victoria and her mother the Duchess of Kent, stayed in the town for the winter of 1834–1835, occupying a residence since renamed Victoria House. In 1837 Queen Adelaide passed the winter there.
The popularity of St Leonards, however, was not lost upon the town of Hastings. It had already begun to expand westwards, through Pelham Place and Wellington Square, and further building began. The Eversfield Estate, from whom the Burtons had bought land, saw the potential and it too began to sell off more space, having obtained an Act of Parliament opening the way for speculative builders beyond the Burton boundaries.[13] As a result, the area between the two towns began to fill with properties. In 1875, the two towns merged into the County Borough of Hastings, and by then the total seafront had reached some three mi (4.8 km). Soon after that, the Warrior Square and Upper St Leonards areas were being developed.
By now the railways had arrived: the London, Brighton and South Coast Railway reached West Marina in 1845, although it was not until 1852 that the station later named St Leonards Warrior Square was opened by the South Eastern Railway.
Construction of the pier began in March 1888, and it was opened by Lord and Lady Brassey on 28 October 1891. Positioned almost opposite the Royal Victoria Hotel, the shore end had a pavilion constructed of intricate ironwork at the entrance so that visitors could drive straight to the door and avoid the seafront weather. There was also a tollhouse to the left of the entrance that was demolished by a storm on 12 February 1899. The far end of the pier had a building used for dancing, and later as a roller hockey rink. During the 1920s the pier was modernised and finally cut in half during the Second World War as protection against invasion. The remains were removed in 1951.
On the seafront stands an ocean liner shaped art-deco building known as Marine Court,[14] which upon completion in 1937 was the tallest block of flats in the United Kingdom, comprising some 153 flats and 3 restaurants. Despite this claim to fame, entries to a competition to name the building show that it was not universally popular. Now a listed building, it has recently[when?] been bought by the residents after many years of neglect and is in the process of being fully restored.[citation needed
Warrior Square Gardens – The site was opened as a subscription garden in 1852. The Council purchased a strip of land at the southernmost tip to erect a statue of Queen Victoria which was unveiled on the 31st of December 1902. All but the uppermost rose garden was acquired by the Council in 1920 with the upper garden being donated to the Council in 1930. Recent improvements include major re-landscaping and wall restoration, completed in 2001. The lower section was completely re-laid following extensive excavation by Southern Water.
St Leonards Gardens – Originally laid out as a private garden for the Burton family, St Leonards Gardens was bought by the town for £9,000 in 1879. The gardens had two ponds and a maze, which proved very popular and gave Maze Hill its name. Gothic-style buildings were built around the wooded valley. The gateway to St Leonards Gardens is an imposing Burton building. The garden was purchased by the Council in 1880 and opened to the public; it consists of trees, shrubs and grass areas with a central pond. The Council applied for a Heritage Lottery Grant for the restoration of this garden and work is now complete.
Gensing Gardens – The garden was purchased by the Council in 1872 and landscaped by the then Borough Surveyor, William Andrews. Little is recorded of the history of the site, although the name comes from the original farm. The garden has been subject to numerous improvements during the last 10 years and consists of shrub and flower beds, trees, grass areas, and an equipped playground suitable for children up to 14 years old. It is located within a priority ward and is a rare and valuable open space within its neighbourhood.
Markwick Gardens – The Gardens were formed in the 1860s primarily for the use and pleasure of the residents of Markwick Terrace, which was built in the 1830-40s. At that time, the land was owned by the Eversfield Trust, which no longer exists and the gardens are now owned, privately, by the Eversfield Estates. (Markwick was the surname of one branch of Eversfield family descendants.) Since the war the gardens have been run by a Committee of local residents as the Estate now takes no part in the running. Access to the gardens is by membership of the Markwick Gardens Association.
Plaque at 117 Marina commemorating Thomas Carlyle's residency in the summer of 1864, which he wrote of in his Reminiscences (1881) Queen Adelaide (1792–1849), consort of William IV, lived in St Leonards as a widow. Thomas Carlyle (1795–1881) lived at 117 Marina in the summer of 1864, in order to be near his ailing wife Jane Carlyle, who was in possession of caretakers. Elizabeth Eiloart (1827–1898), novelist, retired to St Leonards, and King Solomon's Mines author Henry Rider Haggard came to live at North Lodge, Maze Hill, the house built across the road at the entrance to old St Leonards; this remained his home until 1923. Robert Tressell, author of The Ragged Trousered Philanthropists, lived at 241 London Road from 1907. Summerfields School produced the alumnus Rainier III, Prince of Monaco. George Bristow was the taxidermist at the centre of the Hastings Rarities ornithological fraud; his business address was 15 Silchester Road. Fred Judge FRPS founded the local picture postcard manufacturer Judges Postcards. Sheila Kaye-Smith was a prolific author whose novels are set in the Sussex countryside around Hastings and Rye; she was born in St Leonards, the daughter of a local physician and lived in Dane Road until her marriage in 1924. George Monger was awarded a VC during the Siege of Lucknow in 1857, and after leaving the army, he lived in Tower Road, St Leonards where he died in 1887. Historian Prof Roy Porter (1946–2002) retired to St Leonards. Dr Thomas Duncan Greenlees FRSE retired here in 1922 and died here in 1929. Archibald Belaney (b 1888 d 1938) "Grey Owl" achieved fame as a conservationist during his life, after his death the revelation of his non-Native origins and other autobiographical fabrications negatively affected his reputation. Born in England and migrating to Canada in the first decade of the 20th century, Belaney rose to prominence as a notable author, lecturer, and one of the "most effective apostles of the wilderness" The Venerable Luke Irvine-Capel, Archdeacon of Chichester was the Priest-in-Charge of Christ Church with St Mary Magdalene and St. Peter and St. Paul from 2013 to 2014, and thereafter served as Rector (merely a legal transition) from 2014 to 2019, before his appointment as Archdeacon.
Baston Lodge, Upper Maze Hill, was the childhood home of Alan Turing.
Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of Punch magazine. Taylor had a brief academic career, holding the professorship of English literature and language at University College, London in the 1840s, after which he practised law and became a civil servant. At the same time he became a journalist, most prominently as a contributor to, and eventually editor of Punch.
In addition to these vocations, Taylor began a theatre career and became best known as a playwright, with up to 100 plays staged during his career. Many were adaptations of French plays, but these and his original works cover a range from farce to melodrama. Most fell into neglect after Taylor's death, but Our American Cousin (1858), which achieved great success in the 19th century, remains famous as the piece that was being performed in the presence of Abraham Lincoln when he was assassinated in 1865.
Early years
Taylor was born into a newly wealthy family at Bishopwearmouth, a suburb of Sunderland, in north-east England. He was the second son of Thomas Taylor (1769–1843) and his wife, Maria Josephina, née Arnold (1784–1858). His father had begun as a labourer on a small farm in Cumberland and had risen to become co-owner of a flourishing brewery in Durham. After attending the Grange School in Sunderland, and studying for two sessions at the University of Glasgow, Taylor became a student of Trinity College, Cambridge in 1837, was elected to a scholarship in 1838, and graduated with a BA in both classics and mathematics. He was elected a fellow of the college in 1842 and received his MA degree the following year.
Taylor left Cambridge in late 1844 and moved to London, where for the next two years he pursued three careers simultaneously. He was professor of English language and literature at University College, London, while at the same time studying to become a barrister, and beginning his life's work as a writer. Taylor was called to the bar of the Middle Temple in November 1846. He resigned his university post, and practised on the northern legal circuit until he was appointed assistant secretary of the Board of Health in 1850. On the reconstruction of the board in 1854 he was made secretary, and on its abolition in 1858 his services were transferred to a department of the Home Office, retiring on a pension in 1876.
Writer
Taylor owed his fame and most of his income not to his academic, legal or government work, but to his writing. Soon after moving to London, he obtained remunerative work as a leader writer for the Morning Chronicle and the Daily News. He was also art critic for The Times and The Graphic for many years. He edited the Autobiography of B. R. Haydon (1853), the Autobiography and Correspondence of C. R. Leslie, R.A. (1860) and Pen Sketches from a Vanished Hand, selected from papers of Mortimer Collins, and wrote Life and Times of Sir Joshua Reynolds (1865). With his first contribution to Punch, on 19 October 1844, Taylor began a thirty-six year association with the magazine, which ended only with his death. During the 1840s he wrote on average three columns a month; in the 1850s and 1860s this output doubled. His biographer Craig Howes writes that Taylor's articles were generally humorous commentary or comic verses on politics, civic news, and the manners of the day. In 1874 he succeeded Charles William Shirley Brooks as editor.
Taylor also established himself as a playwright and eventually produced about 100 plays. Between 1844 and 1846, the Lyceum Theatre staged at least seven of his plays, including extravanzas written with Albert Smith or Charles Kenney, and his first major success, the 1846 farce To Parents and Guardians. The Morning Post said of that piece, "The writing is admirable throughout – neat, natural and epigrammatic". It was as a dramatist that Taylor made the most impression – his biographer in the Dictionary of National Biography (DNB) wrote that in writing plays Taylor found his true vocation. In thirty-five years he wrote more than seventy plays for the principal London theatres.
A substantial portion of Taylor's prolific output consisted of adaptations from the French or collaborations with other playwrights, notably Charles Reade. Some of his plots were adapted from the novels of Charles Dickens or others. Many of Taylor's plays were extremely popular, such as Masks and Faces, an extravaganza written in collaboration with Reade, produced at the Haymarket Theatre in November 1852. It was followed by the almost equally successful To Oblige Benson (Olympic Theatre, 1854), an adaptation from a French vaudeville. Others mentioned by the DNB are Plot and Passion (1853), Still Waters Run Deep (1855) and The Ticket-of-Leave Man (based on Le Retour de Melun by Édouard Brisebarre and Eugène Nus), a melodrama produced at the Olympic in 1863.Taylor also wrote a series of historical dramas (many in blank verse), including The Fool’s Revenge (1869), an adaption of Victor Hugo's Le roi s'amuse (also adapted by Verdi as Rigoletto), 'Twixt Axe and Crown (1870), Jeanne d'arc (1871), Lady Clancarty (1874) and Anne Boleyn (1875). The last of these, produced at the Haymarket in 1875, was Taylor's penultimate piece and only complete failure. In 1871 Taylor supplied the words to Arthur Sullivan's dramatic cantata, On Shore and Sea.
Like his colleague W. S. Gilbert, Taylor believed that plays should be readable as well as actable; he followed Gilbert in having copies of his plays printed for public sale. Both authors did so at some risk, because it made matters easy for American pirates of their works in the days before international copyright protection. Taylor wrote, "I have no wish to screen myself from literary criticism behind the plea that my plays were meant to be acted. It seems to me that every drama submitted to the judgment of audiences should be prepared to encounter that of readers".
Many of Taylor's plays were extremely popular, and several survived into the 20th century, although most are largely forgotten today. His Our American Cousin (1858) is now remembered chiefly as the play Abraham Lincoln was attending when he was assassinated, but it was revived many times during the 19th century with great success. It became celebrated as a vehicle for the popular comic actor Edward Sothern, and after his death, his sons, Lytton and E. H. Sothern, took over the part in revivals.
Howes records that Taylor was described as "of middle height, bearded [with] a pugilistic jaw and eyes which glittered like steel". Known for his remarkable energy, he was a keen swimmer and rower, who rose daily at five or six and wrote for three hours before taking an hour's brisk walk from his house in Wandsworth to his Whitehall office.
Some, like Ellen Terry, praised Taylor's kindness and generosity; others, including F. C. Burnand, found him obstinate and unforgiving. Terry wrote of Taylor in her memoirs:
Most people know that Tom Taylor was one of the leading playwrights of the 'sixties as well as the dramatic critic of The Times, editor of Punch, and a distinguished Civil Servant, but to us he was more than this. He was an institution! I simply cannot remember when I did not know him. It is the Tom Taylors of the world who give children on the stage their splendid education. We never had any education in the strict sense of the word yet through the Taylors and others, we were educated.
Terry's frequent stage partner, Henry Irving said that Taylor was an exception to the general rule that it was helpful, even though not essential, for a dramatist to be an actor to understand the techniques of stagecraft: "There is no dramatic author who more thoroughly understands his business".
In 1855 Taylor married the composer, musician and artist Laura Wilson Barker (1819–1905). She contributed music to at least one of his plays, an overture and entr'acte to Joan of Arc (1871), and harmonisations to his translation Ballads and Songs of Brittany (1865). There were two children: the artist John Wycliffe Taylor (1859–1925) and Laura Lucy Arnold Taylor (1863–1940). Taylor and his family lived at 84 Lavender Sweep, Battersea, where they held Sunday musical soirees. Celebrities who attended included Lewis Carroll, Charles Dickens, Henry Irving, Charles Reade, Alfred Tennyson, Ellen Terry and William Makepeace Thackeray.
Taylor died suddenly at his home in 1880 at the age of 62 and is buried in Brompton Cemetery. After his death, his widow retired to Coleshill, Buckinghamshire, where she died on 22 May 1905.