inscribed and dated "The Glen Brocket Hall Sep 15th 1857" and further signed with initials "TT"
Tom and Laura Taylor and thence by descent
Brocket Hall is a neo-classical country house set in a large park at the western side of the urban area of Welwyn Garden City in Hertfordshire, England. The estate is equipped with two golf courses and seven smaller listed buildings, apart from the main house. The freehold on the estate is held by the 3rd Baron Brocket. The house is Grade I-listed.
On the parkland site were two predecessors: the first of these was built in 1239 as Watership or Durantshide Manor, and was early held variously of Hatfield Manor and the Bishop of Ely. A second predecesor was built about 1430: whereas in 1413 John Mortimer had held Waterships, it is known that in 1477 Thomas Brockett held both manors. The house was acquired by John Brocket in the early 1550s, and passed to his son Sir John Brocket (captain of the personal guard of Queen Elizabeth) on his death in 1558.
The building and park owe much of their appearance today to Sir Matthew Lamb, 1st Baronet, who purchased the estate in 1746 and commissioned Brocket Hall to the designs of the architect Sir James Paine in around 1760.
Sir Matthew Lamb's son was Peniston Lamb, 1st Viscount Melbourne, and he was often visited at Brocket Hall by the Prince Regent, who had a liaison with Lady Melbourne.
The next owner was William Lamb, 2nd Viscount Melbourne, who was Queen Victoria's first Prime Minister (1835–41). She often visited during this period. His wife, Lady Caroline Lamb, infamously had an affair with Lord Byron, causing Lord Melbourne much embarrassment. For one of his birthdays she held a state banquet in the Saloon, at which she had herself served from a large silver dish, naked.
On Lamb's death, the house passed to his sister Emily, whose second husband was another Prime Minister, Lord Palmerston.
On Emily's death, the hall then passed to Emily's grandson by her first marriage, Francis Cowper, 7th Earl Cowper, though it was his younger brother, Henry (d.1887), who lived at Brocket Hall.
In 1893, George Stephen, 1st Baron Mount Stephen, President of the Bank of Montreal and the first Canadian to be elevated to the Peerage of the United Kingdom, leased Brocket Hall from the 7th Earl for the remainder of his lifetime. Over the next three years, guests included the Queen's children: The Prince and Princess of Wales, The Duke and Duchess of Connaught and the Princess Mary, Duchess of Teck. In 1897, one year after his first wife died in 1896, Lord Mount Stephen married Georgina Mary (known as Gian) Tufnell, a Lady-in-Waiting to Princess Mary Adelaide, Duchess of Teck, who encouraged the match. Gian was a lifelong friend and confidante of the Duchess's daughter, Mary of Teck, the wife of King George V, and the Mount Stephenses regularly entertained the royal couple. Gian preferred life at Brocket Hall to the social life that surrounded their London residence at Carlton House Terrace. Lady Mount Stephen was a close friend of Georgina Gascoyne-Cecil, Marchioness of Salisbury, who lived on the neighbouring estate, Hatfield House.
After the death of the 7th Earl Cowper (1905), the underlying future reversion was left to his niece, but she died only a year after him (1906) and the estate passed to her husband, Admiral Lord Walter Kerr, who lived at Melbourne Hall. When the life tenant Lord Mount Stephen died in 1921, Kerr put the estate up for sale, and in 1923 it was purchased by Sir Charles Nall-Cain, who co-ran the brewing company Walker Cain Ltd; he was created Baron Brocket in 1933. His son, Ronald Nall-Cain, 2nd Baron Brocket, was a Nazi sympathiser; he was interned during the Second World War, and his property was sequestrated and put to use as a maternity hospital.
In 1996 Charles Nall-Cain, 3rd Baron Brocket (often styled as Charlie Brocket) was convicted of insurance fraud. While serving a prison sentence, he let the whole estate for a minimum of 60 years to CCA (Club Corporation of Asia) based in Hong Kong. CCA converted Brocket Hall into a hotel and conference centre, built a second eighteen-hole golf course and developed a restaurant called Auberge du Lac in an existing building on the estate.
The estate almost touches the A1(M) motorway near Welwyn Garden City which is on the opposite side of the motorway; administratively and historically it lies at the extreme northern end of Hatfield.
In the 1770s the park was landscaped making use of the River Lea which is dammed to form a "broadwater" or lake. Next to the weir is a neoclassical bridge, often described as Palladian, which carries an approach drive across the river: it is faced in Portland stone and was designed by Paine.
The park is listed as Grade II in the Register of Historic Parks and Gardens. The parkland is since the mid-1990s largely overlain by golf courses and is bounded by substantial woodland belts.
Paine also built the Temple with an Adam-style plaster ceiling, elliptical porch that has niches either side of a Victorian period half glazed door and a pediment above its eastern entrance, typical of the finest garden temples of the era.
Among other buildings on the estate is Brocket Lea, an early 17th-century house on the south side of the river Lea.
Brocket Hall has been used as a filming location for film and television productions, and for music videos, including: Night of the Demon (1957); Murder with Mirrors; Johnny English Reborn; The Queen; Willow; Pride and Prejudice featuring Colin Firth. It also features in the Inspector Morse episode, "Who Killed Harry Field?" (1991); in the Agatha Christie's Poirot episode "The Labours of Hercules" (2013); in an episode of EastEnders screened on 1 January 2017; in Holby City and in the TV series Victoria.
The hall was used in the Shakin' Stevens video "You Drive Me Crazy" in 1980 and in 1983, for Mike Oldfield's “ Moonlight Shadow”. The British pop group Steps used it as the location for their 2001 music video for "It's the Way You Make Me Feel".
Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of Punch magazine. Taylor had a brief academic career, holding the professorship of English literature and language at University College, London in the 1840s, after which he practised law and became a civil servant. At the same time he became a journalist, most prominently as a contributor to, and eventually editor of Punch.
In addition to these vocations, Taylor began a theatre career and became best known as a playwright, with up to 100 plays staged during his career. Many were adaptations of French plays, but these and his original works cover a range from farce to melodrama. Most fell into neglect after Taylor's death, but Our American Cousin (1858), which achieved great success in the 19th century, remains famous as the piece that was being performed in the presence of Abraham Lincoln when he was assassinated in 1865.
Early years
Taylor was born into a newly wealthy family at Bishopwearmouth, a suburb of Sunderland, in north-east England. He was the second son of Thomas Taylor (1769–1843) and his wife, Maria Josephina, née Arnold (1784–1858). His father had begun as a labourer on a small farm in Cumberland and had risen to become co-owner of a flourishing brewery in Durham. After attending the Grange School in Sunderland, and studying for two sessions at the University of Glasgow, Taylor became a student of Trinity College, Cambridge in 1837, was elected to a scholarship in 1838, and graduated with a BA in both classics and mathematics. He was elected a fellow of the college in 1842 and received his MA degree the following year.
Taylor left Cambridge in late 1844 and moved to London, where for the next two years he pursued three careers simultaneously. He was professor of English language and literature at University College, London, while at the same time studying to become a barrister, and beginning his life's work as a writer. Taylor was called to the bar of the Middle Temple in November 1846. He resigned his university post, and practised on the northern legal circuit until he was appointed assistant secretary of the Board of Health in 1850. On the reconstruction of the board in 1854 he was made secretary, and on its abolition in 1858 his services were transferred to a department of the Home Office, retiring on a pension in 1876.
Writer
Taylor owed his fame and most of his income not to his academic, legal or government work, but to his writing. Soon after moving to London, he obtained remunerative work as a leader writer for the Morning Chronicle and the Daily News. He was also art critic for The Times and The Graphic for many years. He edited the Autobiography of B. R. Haydon (1853), the Autobiography and Correspondence of C. R. Leslie, R.A. (1860) and Pen Sketches from a Vanished Hand, selected from papers of Mortimer Collins, and wrote Life and Times of Sir Joshua Reynolds (1865). With his first contribution to Punch, on 19 October 1844, Taylor began a thirty-six year association with the magazine, which ended only with his death. During the 1840s he wrote on average three columns a month; in the 1850s and 1860s this output doubled. His biographer Craig Howes writes that Taylor's articles were generally humorous commentary or comic verses on politics, civic news, and the manners of the day. In 1874 he succeeded Charles William Shirley Brooks as editor.
Taylor also established himself as a playwright and eventually produced about 100 plays. Between 1844 and 1846, the Lyceum Theatre staged at least seven of his plays, including extravanzas written with Albert Smith or Charles Kenney, and his first major success, the 1846 farce To Parents and Guardians. The Morning Post said of that piece, "The writing is admirable throughout – neat, natural and epigrammatic". It was as a dramatist that Taylor made the most impression – his biographer in the Dictionary of National Biography (DNB) wrote that in writing plays Taylor found his true vocation. In thirty-five years he wrote more than seventy plays for the principal London theatres.
A substantial portion of Taylor's prolific output consisted of adaptations from the French or collaborations with other playwrights, notably Charles Reade. Some of his plots were adapted from the novels of Charles Dickens or others. Many of Taylor's plays were extremely popular, such as Masks and Faces, an extravaganza written in collaboration with Reade, produced at the Haymarket Theatre in November 1852. It was followed by the almost equally successful To Oblige Benson (Olympic Theatre, 1854), an adaptation from a French vaudeville. Others mentioned by the DNB are Plot and Passion (1853), Still Waters Run Deep (1855) and The Ticket-of-Leave Man (based on Le Retour de Melun by Édouard Brisebarre and Eugène Nus), a melodrama produced at the Olympic in 1863.Taylor also wrote a series of historical dramas (many in blank verse), including The Fool’s Revenge (1869), an adaption of Victor Hugo's Le roi s'amuse (also adapted by Verdi as Rigoletto), 'Twixt Axe and Crown (1870), Jeanne d'arc (1871), Lady Clancarty (1874) and Anne Boleyn (1875). The last of these, produced at the Haymarket in 1875, was Taylor's penultimate piece and only complete failure. In 1871 Taylor supplied the words to Arthur Sullivan's dramatic cantata, On Shore and Sea.
Like his colleague W. S. Gilbert, Taylor believed that plays should be readable as well as actable; he followed Gilbert in having copies of his plays printed for public sale. Both authors did so at some risk, because it made matters easy for American pirates of their works in the days before international copyright protection. Taylor wrote, "I have no wish to screen myself from literary criticism behind the plea that my plays were meant to be acted. It seems to me that every drama submitted to the judgment of audiences should be prepared to encounter that of readers".
Many of Taylor's plays were extremely popular, and several survived into the 20th century, although most are largely forgotten today. His Our American Cousin (1858) is now remembered chiefly as the play Abraham Lincoln was attending when he was assassinated, but it was revived many times during the 19th century with great success. It became celebrated as a vehicle for the popular comic actor Edward Sothern, and after his death, his sons, Lytton and E. H. Sothern, took over the part in revivals.
Howes records that Taylor was described as "of middle height, bearded [with] a pugilistic jaw and eyes which glittered like steel". Known for his remarkable energy, he was a keen swimmer and rower, who rose daily at five or six and wrote for three hours before taking an hour's brisk walk from his house in Wandsworth to his Whitehall office.
Some, like Ellen Terry, praised Taylor's kindness and generosity; others, including F. C. Burnand, found him obstinate and unforgiving. Terry wrote of Taylor in her memoirs:
Most people know that Tom Taylor was one of the leading playwrights of the 'sixties as well as the dramatic critic of The Times, editor of Punch, and a distinguished Civil Servant, but to us he was more than this. He was an institution! I simply cannot remember when I did not know him. It is the Tom Taylors of the world who give children on the stage their splendid education. We never had any education in the strict sense of the word yet through the Taylors and others, we were educated.
Terry's frequent stage partner, Henry Irving said that Taylor was an exception to the general rule that it was helpful, even though not essential, for a dramatist to be an actor to understand the techniques of stagecraft: "There is no dramatic author who more thoroughly understands his business".
In 1855 Taylor married the composer, musician and artist Laura Wilson Barker (1819–1905). She contributed music to at least one of his plays, an overture and entr'acte to Joan of Arc (1871), and harmonisations to his translation Ballads and Songs of Brittany (1865). There were two children: the artist John Wycliffe Taylor (1859–1925) and Laura Lucy Arnold Taylor (1863–1940). Taylor and his family lived at 84 Lavender Sweep, Battersea, where they held Sunday musical soirees. Celebrities who attended included Lewis Carroll, Charles Dickens, Henry Irving, Charles Reade, Alfred Tennyson, Ellen Terry and William Makepeace Thackeray.
Taylor died suddenly at his home in 1880 at the age of 62 and is buried in Brompton Cemetery. After his death, his widow retired to Coleshill, Buckinghamshire, where she died on 22 May 1905.