inscribed an dated "Herstmonceux Castle E Sussex Oct 20 1860 St Leonards" and further signed with initials "TT"
| Herstmonceux Castle | |
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Herstmonceux Castle, seen from the south-east |
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| Official name | Herstmonceux Castle |
| Reference no. | 1002298 |
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Listed Building – Grade I |
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| Official name | Herstmonceux Castle with attached bridges to north and south and causeway with moat retaining walls to west |
| Designated | 24 July 1989 |
| Reference no. | 1272785 |
| Official name | Herstmonceux Castle and Place |
| Designated | 25 March 1987 |
| Reference no. | 1000231 |
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Listed Building – Grade II* |
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| Official name | Herstmonceux Science Centre |
| Designated | 26 March 2003 |
| Reference no. | 1391813 |
Location of Herstmonceux Castle in East Sussex |
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Herstmonceux Castle is a brick-built castle, dating from the 15th century, near Herstmonceux, East Sussex, England. It is one of the oldest significant brick buildings still standing in England. The castle was renowned for being one of the first buildings to use that material in England, and was built using bricks taken from the local clay, by builders from Flanders. It dates from 1441. Construction began under the then-owner, Sir Roger Fiennes, and was continued after his death in 1449 by his son, Lord Dacre.
The parks and gardens of Herstmonceux Castle and Place are Grade II* listed on the Register of Historic Parks and Gardens. Other listed structures on the Herstmonceux estate include the Grade II listed walled garden to the north of the castle, and the Grade II* listed telescopes and workshops of the Herstmonceux Science Centre.
The first written evidence of the existence of the Herst settlement appears in William the Conqueror's Domesday Book of 1086, which reports that one of William's closest supporters granted tenancy of the manor at Herst to a man named 'Wilbert'. By the end of the twelfth century, the family at the manor house at Herst had considerable status. Written accounts mention a lady called Idonea de Herst, who married a Norman nobleman named Ingelram de Monceux. Around this time, the manor began to be called the "Herst of the Monceux", a name that eventually became Herstmonceux.
A descendant of the Monceux family, Roger Fiennes, was ultimately responsible for the construction of Herstmonceux Castle in the County of Sussex. Sir Roger was appointed Treasurer of the Household of Henry VI of England and needed a house fitting a man of his position, so construction of the castle on the site of the old manor house began in 1441. It was this position as treasurer which enabled him to afford the £3,800 construction of the original castle.
In 1541, Sir Thomas Fiennes, Lord Dacre, was tried for murder and robbery of the King's deer after his poaching exploits on a neighboring estate resulted in the death of a gamekeeper. He was convicted and hanged as a commoner, and the Herstmonceux estate was temporarily confiscated by Henry VIII of England, but was restored to the Fiennes family during the reign of one of Henry's children.
The profligacy of the 15th Baron Dacre, heir to the Fiennes family, forced him to sell in 1708 to George Naylor, a lawyer of Lincoln's Inn in London. Bethaia Naylor, who became the heiress of Herstmonceux on the death of her brother's only daughter, married Francis Hare and produced a son, Francis, who inherited in turn, his mother's property. The castle eventually came into the possession of Robert Hare-Naylor, who, upon the insistence of his second wife, Henrietta Henckell, followed the architect Samuel Wyatt's advice to reduce the Castle to a picturesque ruin by demolishing the interior. Thomas Lennard, 17th Baron Dacre, was sufficiently exercised as to commission James Lamberts Jnr of Lewes (1741–1799) to record the building in 1776. The castle was dismantled in 1777 leaving the exterior walls standing and remained a ruin until the early 20th century.
Radical restoration work was undertaken by Colonel Claude Lowther in 1913 to transform the ruined building into a residence and, based on a design by the architect, Walter Godfrey, this work was completed by Sir Paul Latham in 1933. The existing interiors largely date from that period, incorporating architectural antiques from England and France. The one major change in planning was the combination of the four internal courtyards into one large one. The restoration work, regarded as the apex of Godfrey's architectural achievement, was described by the critic Sir Nikolaus Pevsner as executed 'exemplarily'.
Royal Greenwich Observatory
The Royal Observatory was founded by King Charles II at Greenwich in 1675. Observing conditions at Greenwich deteriorated following the urban growth of London, and plans were made in the early 20th century to relocate the observatory to a rural location with clearer, darker skies. Herstmonceux Castle and estate were put up for sale by their private owners and were sold in 1946 to the Admiralty, which then operated the Royal Observatory on behalf of the British government. The relocation of the observatory took place over a decade, and was complete by 1957. A number of new buildings were erected in the castle grounds. The institution at Herstmonceux Castle was known as the Royal Greenwich Observatory, where it remained until 1988, when the observatory relocated to Cambridge.
Several of the telescopes remain but the largest telescope, the 100 inch (254 cm) aperture Isaac Newton Telescope was moved to La Palma, in the Canary Islands, in the 1970s. The estate provides housing for the Equatorial Telescope Buildings, which have been converted for use as an interactive science centre for schoolchildren. The empty dome for the Newton Telescope remains on this site and is a landmark, visible from afar.
University Study Centre
In 1992 Alfred Bader, an alumnus of Queen's University, Ontario, learned of the castle's vacancy and offered to purchase the castle for his wife; she declined, joking that there would be "too many rooms to clean". But in 1994, after intensive renovations, the Queen's International Study Centre was opened. It hosts primarily undergraduate students studying arts, science, or commerce through the Canadian University Study Abroad Program (CUSAP), as well as graduate students studying Public International Law or International Business Law. Specialty summer programmes (May–June) including engineering (Global Project Management), archaeology, international health sciences, and law have become popular in recent years with students from both Queen's and other universities. In late January 2009, the ISC was renamed the Bader International Study Centre. As part of the 25th anniversary celebrations, new science and innovation labs were opened on the campus to increase the ability for first year science-tracked students to attend. In 2022, the Bader International Study Centre was renamed Bader College.
Herstmonceux Castle is associated with a retinue of historical re-enactment troops including archers, knights, and falconers, who fly their birds over the grounds. The castle is host to a large medieval weekend in August of each year, and is also hired out for weddings and weekend events.
The castle was used for filming part of The Silver Chair, a 1990 BBC adaptation of the book (one of The Chronicles of Narnia) by C. S. Lewis. The castle and gardens were used by comedians Reeves and Mortimer for one of their Mulligan and O'Hare sketches. In August 2002, The Coca-Cola Company rented the castle for use as part of a prize in a Harry Potter-themed sweepstakes—the castle served as "Hogwarts" in a day of Harry Potter-related activities for the sweepstakes winners. A "painting" of the castle was used as a magical cursed object in the U.S. television show Charmed – episode 2.3 "The Painted World".
Owners of Herstmonceux Manor/Castle
Owners have been as follows:
- 1066 – Edmer, a priest
- 1086 – Wilbert, tenant-in-chief
- c.1200 – Idonea de Herst (married Ingelram de Monceux)
- 1211 – Her son Waleran de Monceux
- 1216 – His son William de Monceux
- ? – His son Waleran de Monceux
- 1279 – His son John de Monceux
- 1302 – His son John de Monceux
- 1316 – His son John de Monceux
- 1330 – His sister Maud de Monceux (married Sir John Fiennes)
- 1351 – Her eldest son William Fiennes
- 1359 – His son Sir William Fiennes
- 1402 – His son Sir Roger Fiennes (built Herstmonceux Castle)
- 1449 – His son Sir Richard Fiennes (married Joan Dacre, 7th Baroness Dacre)
- 1483 – His grandson Sir Thomas Fiennes
- 1533 – Sir Thomas Fiennes
- 1541 – His eldest son Thomas Fiennes
- 1553 – His brother Gregory Fiennes
- 1594 – His sister Margaret Fiennes (married Sampson Lennard).
- 1612 – Her son Henry Lennard, 12th Baron Dacre
- 1616 – His son Richard Leonard
- 1630 – His son Francis Leonard
- 1662 – His son Thomas Leonard
- 1708 – Estate purchased by George Naylor for £38,215
- 1730 – His nephew Francis Naylor
- 1775 – His half-brother Robert Hare who demolished the castle in 1776
- ? – His son Francis Hare Naylor
- 1807 – Purchased by Thomas Read Kemp
- 1819 – Purchased for John Gillon MP
- 1846 – Purchased by Herbet Barrett Curteis MP
- ? – His son Herbert Mascall Curteis
- ? – His son Herbert Curteis
- 1911 – Purchased by Lieutenant-Colonel Claude Lowther (restoration began)
- 1929 – Purchased by Reginald Lawson
- 1932 – Purchased by Sir Paul Latham (completed restoration under Walter Godfrey)
- 1946 – Purchased by H.M. Admiralty for The Royal Observatory
- 1965 – Transferred to the Science Research Council
- 1989 – Purchased by James Developments, transfers to a receiver, the Guinness Mahon Bank
- 1993 – Purchased for Queen's University, Ontario (Canada) as a gift from Drs. Alfred and Isabel Bader
Tom Taylor (19 October 1817 – 12 July 1880) was an English dramatist, critic, biographer, public servant, and editor of Punch magazine. Taylor had a brief academic career, holding the professorship of English literature and language at University College, London in the 1840s, after which he practised law and became a civil servant. At the same time he became a journalist, most prominently as a contributor to, and eventually editor of Punch.
In addition to these vocations, Taylor began a theatre career and became best known as a playwright, with up to 100 plays staged during his career. Many were adaptations of French plays, but these and his original works cover a range from farce to melodrama. Most fell into neglect after Taylor's death, but Our American Cousin (1858), which achieved great success in the 19th century, remains famous as the piece that was being performed in the presence of Abraham Lincoln when he was assassinated in 1865.
Early years
Taylor was born into a newly wealthy family at Bishopwearmouth, a suburb of Sunderland, in north-east England. He was the second son of Thomas Taylor (1769–1843) and his wife, Maria Josephina, née Arnold (1784–1858). His father had begun as a labourer on a small farm in Cumberland and had risen to become co-owner of a flourishing brewery in Durham. After attending the Grange School in Sunderland, and studying for two sessions at the University of Glasgow, Taylor became a student of Trinity College, Cambridge in 1837, was elected to a scholarship in 1838, and graduated with a BA in both classics and mathematics. He was elected a fellow of the college in 1842 and received his MA degree the following year.
Taylor left Cambridge in late 1844 and moved to London, where for the next two years he pursued three careers simultaneously. He was professor of English language and literature at University College, London, while at the same time studying to become a barrister, and beginning his life's work as a writer. Taylor was called to the bar of the Middle Temple in November 1846. He resigned his university post, and practised on the northern legal circuit until he was appointed assistant secretary of the Board of Health in 1850. On the reconstruction of the board in 1854 he was made secretary, and on its abolition in 1858 his services were transferred to a department of the Home Office, retiring on a pension in 1876.
Writer
Taylor owed his fame and most of his income not to his academic, legal or government work, but to his writing. Soon after moving to London, he obtained remunerative work as a leader writer for the Morning Chronicle and the Daily News. He was also art critic for The Times and The Graphic for many years. He edited the Autobiography of B. R. Haydon (1853), the Autobiography and Correspondence of C. R. Leslie, R.A. (1860) and Pen Sketches from a Vanished Hand, selected from papers of Mortimer Collins, and wrote Life and Times of Sir Joshua Reynolds (1865). With his first contribution to Punch, on 19 October 1844, Taylor began a thirty-six year association with the magazine, which ended only with his death. During the 1840s he wrote on average three columns a month; in the 1850s and 1860s this output doubled. His biographer Craig Howes writes that Taylor's articles were generally humorous commentary or comic verses on politics, civic news, and the manners of the day. In 1874 he succeeded Charles William Shirley Brooks as editor.
Taylor also established himself as a playwright and eventually produced about 100 plays. Between 1844 and 1846, the Lyceum Theatre staged at least seven of his plays, including extravanzas written with Albert Smith or Charles Kenney, and his first major success, the 1846 farce To Parents and Guardians. The Morning Post said of that piece, "The writing is admirable throughout – neat, natural and epigrammatic". It was as a dramatist that Taylor made the most impression – his biographer in the Dictionary of National Biography (DNB) wrote that in writing plays Taylor found his true vocation. In thirty-five years he wrote more than seventy plays for the principal London theatres.
A substantial portion of Taylor's prolific output consisted of adaptations from the French or collaborations with other playwrights, notably Charles Reade. Some of his plots were adapted from the novels of Charles Dickens or others. Many of Taylor's plays were extremely popular, such as Masks and Faces, an extravaganza written in collaboration with Reade, produced at the Haymarket Theatre in November 1852. It was followed by the almost equally successful To Oblige Benson (Olympic Theatre, 1854), an adaptation from a French vaudeville. Others mentioned by the DNB are Plot and Passion (1853), Still Waters Run Deep (1855) and The Ticket-of-Leave Man (based on Le Retour de Melun by Édouard Brisebarre and Eugène Nus), a melodrama produced at the Olympic in 1863.Taylor also wrote a series of historical dramas (many in blank verse), including The Fool’s Revenge (1869), an adaption of Victor Hugo's Le roi s'amuse (also adapted by Verdi as Rigoletto), 'Twixt Axe and Crown (1870), Jeanne d'arc (1871), Lady Clancarty (1874) and Anne Boleyn (1875). The last of these, produced at the Haymarket in 1875, was Taylor's penultimate piece and only complete failure. In 1871 Taylor supplied the words to Arthur Sullivan's dramatic cantata, On Shore and Sea.
Like his colleague W. S. Gilbert, Taylor believed that plays should be readable as well as actable; he followed Gilbert in having copies of his plays printed for public sale. Both authors did so at some risk, because it made matters easy for American pirates of their works in the days before international copyright protection. Taylor wrote, "I have no wish to screen myself from literary criticism behind the plea that my plays were meant to be acted. It seems to me that every drama submitted to the judgment of audiences should be prepared to encounter that of readers".
Many of Taylor's plays were extremely popular, and several survived into the 20th century, although most are largely forgotten today. His Our American Cousin (1858) is now remembered chiefly as the play Abraham Lincoln was attending when he was assassinated, but it was revived many times during the 19th century with great success. It became celebrated as a vehicle for the popular comic actor Edward Sothern, and after his death, his sons, Lytton and E. H. Sothern, took over the part in revivals.
Howes records that Taylor was described as "of middle height, bearded [with] a pugilistic jaw and eyes which glittered like steel". Known for his remarkable energy, he was a keen swimmer and rower, who rose daily at five or six and wrote for three hours before taking an hour's brisk walk from his house in Wandsworth to his Whitehall office.
Some, like Ellen Terry, praised Taylor's kindness and generosity; others, including F. C. Burnand, found him obstinate and unforgiving. Terry wrote of Taylor in her memoirs:
Most people know that Tom Taylor was one of the leading playwrights of the 'sixties as well as the dramatic critic of The Times, editor of Punch, and a distinguished Civil Servant, but to us he was more than this. He was an institution! I simply cannot remember when I did not know him. It is the Tom Taylors of the world who give children on the stage their splendid education. We never had any education in the strict sense of the word yet through the Taylors and others, we were educated.
Terry's frequent stage partner, Henry Irving said that Taylor was an exception to the general rule that it was helpful, even though not essential, for a dramatist to be an actor to understand the techniques of stagecraft: "There is no dramatic author who more thoroughly understands his business".
In 1855 Taylor married the composer, musician and artist Laura Wilson Barker (1819–1905). She contributed music to at least one of his plays, an overture and entr'acte to Joan of Arc (1871), and harmonisations to his translation Ballads and Songs of Brittany (1865). There were two children: the artist John Wycliffe Taylor (1859–1925) and Laura Lucy Arnold Taylor (1863–1940). Taylor and his family lived at 84 Lavender Sweep, Battersea, where they held Sunday musical soirees. Celebrities who attended included Lewis Carroll, Charles Dickens, Henry Irving, Charles Reade, Alfred Tennyson, Ellen Terry and William Makepeace Thackeray.
Taylor died suddenly at his home in 1880 at the age of 62 and is buried in Brompton Cemetery. After his death, his widow retired to Coleshill, Buckinghamshire, where she died on 22 May 1905.